flommus:

Egon Schiele, Semi-Nude Girl, Reclining, 1911.
‘Egon Schiele insisted that the erotic is as heroic a subject as wars or religion. He combined high art and pornography in a manner only possible in radical Vienna of the pre-first world war years. But it still landed him in jail …’
—Jonathan Jones, The Guardian, 2003
Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence. Only by the form, the pattern,
Can words or music reach
The stillness, as a Chinese jar still
Moves perpetually in its stillness.
Not the stillness of the violin, while the note lasts,
Not that only, but the co-existence,
Or say that the end precedes the beginning,
And the end and the beginning were always there
Before the begining and after the end.
And all is always now. Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Decay with imprecision, will not stay in place,
Will not stay still. Shrieking voices
Scolding, mocking, or merely chattering,
Always assail them. The Word in the desert
Is most attacked by voices of temptation,
The crying shadow in the funeral dance,
The loud lament of the disconsolate chimera.
duhx3:

Alison Bechdel
The dead are celebrated. The dead are loved. They give something to the living. Once you put something into the ground, Doctor, you always know where to find it.
cavetocanvas:

I and the Village - Marc Chagall, 1911
honeyforthehomeless:

Peanuts
[Flash 9 is required to listen to audio.]

everets:

Sufjan Stevens - Vesuvius

(via penniless-strumpet)